- how slave narrative came to be called literature.
- the slave narrative start a literary tradition.
- emotive language. emotive situation. the pathos of the position of the narrator.
- oral histories
- language is strikingly similar in structure, content and theme.
- a corpus of non- fiction and fiction, oral and written, which asserts the equality, differentness -and sometimes superiority- of Blacks and Black- American way of doing and perceiving things.
- a set of political principles, primarily consistent in their outrage against inequality.
- a brace of ethical and artistic critiria which will be considered valid or invalid writing by Black Americans.
- a human code for translating the mute matter of a world in which certain races and inhuman system combine to destroy other races and more humane systems.
Josiah Henson (1789- 1883) - “Truth Stranger than Fiction” (1858)
- feeling of pride in fulfilling his slave duties to his master.
- Henson tells of his decision not to choose freedom for himself and his compatriots when it is effortlessly graspable.
The three types of emotive language in a slave narrative:
- prejudicial- negetive connotation
- prepossessive- positive
- euphemistic- expression of understatement or grim humour.
“Each man to his own Canada” -Ishmael Reed.
[Canada became a state of mind. Where men with black skin may be free.]
“The life and Times of Frederick Douglass” - Frederick Douglass(1881)
- “American Slavery”
- makes satire of the celebration of the Fourth of July as day of “independence” for all.
- “what the negro wants”
- “immediate, unconditional, and universal enfranchise of the black man”.
Booker T. Washington: advocate a sort of seperate, skilled guild of black blue-collar workers who would be content with their stations.
- education as an organic part of Black self- realisation.
W. E. B. Du Bous: often called the father of sociology in US.
US as a literate, print- sensitive culture. as opposed to preliterate, oral and aural- sensitive culture.
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Running notes on Black Aesthetic Movement
Posted: January 26, 2012 in ESSAYS /RANDOM COMMENTSTags: Aesthetic Movement, black aesthetic movement, Black Americans, Booker T. Washington, class notes, emotive language, Frederick Douglass, free, Josiah Henson, literature, notes, slave narrative, W. E. B. Du Bous
Josiah Henson (1789- 1883) - “Truth Stranger than Fiction” (1858)
The three types of emotive language in a slave narrative:
“Each man to his own Canada” -Ishmael Reed.
[Canada became a state of mind. Where men with black skin may be free.]
“The life and Times of Frederick Douglass” - Frederick Douglass(1881)
Booker T. Washington: advocate a sort of seperate, skilled guild of black blue-collar workers who would be content with their stations.
W. E. B. Du Bous: often called the father of sociology in US.
US as a literate, print- sensitive culture. as opposed to preliterate, oral and aural- sensitive culture.
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